ID de tableau:: 124
The Birth of Venus La Naissance de Vénus 1480
Galleria degli Uffizi, Florence 1480 L-arcade des Bureaux, Florence Italian Early Renaissance Painter, 1445-1510
ID de tableau:: 297
The Birth of Venus La Naissance de Vénus 1863
Musee d\'Orsay, Paris 1863 Musée d-Orsay, Paris 1823-1889
French Alexandre Cabanel Locations
Bouguereau made more than seven hundred finished works.
ID de tableau:: 10809
The Birth of Venus La Naissance de Vénus 9' 10" x 7' 1 3/4" (300 x 218 cm), Salon of 1879. 9 › 10 x 7 › 1 3/4 (300 x 218 cm), le Salon de 1879. Bouguereau made more than seven hundred finished works.
ID de tableau:: 26646
The Birth of Venus La Naissance de Vénus mk53
1740
oil on canvas
130x162cm,Stockholm,The National Museum of Fine Arts
mk53 1740 huilent sur le canevas 130x162cm,Stockholm,The Musée National debeaux-arts French Rococo Era Painter, 1703-1770
ID de tableau:: 26687
The Birth of Venus La Naissance de Vénus mk53
c.1770
gouache on vellum stretched over laminated board
65.7x50.6cm
mk53 c. 1770 gouache sur le vélin tendu par-dessus le conseil laminé65.7x50.6cm French Miniaturist, ca.1705-1790
ID de tableau:: 26694
The Birth of Venus La Naissance de Vénus mk53
1863
oil on canvas
130x225cm
Paris,Musee d Orsay
mk53 1863 huilent sur le canevas 130x225cm Paris, Musee d Orsay French Academic Painter, 1823-1889
ID de tableau:: 26953
The Birth of Venus La Naissance de Vénus 1484-1485
detail of Venus'face Florence,Galleria degli Uffizi (mk57) 1484-1485 détail de Florence, Galleria degli Uffizi (mk57) Italian Early Renaissance Painter, 1445-1510
ID de tableau:: 26956
The Birth of Venus La Naissance de Vénus 1484--1485
detail of the Hour holding out to Venus a flowery red mantle.Florence,Galleria degli Uffizi (mk57) 1484 -- 1485 détail de l~Heure tendant à Vénus un manteau rouge fleuri. Florence, Galleria degli Uffizi (mk57) Italian Early Renaissance Painter, 1445-1510
ID de tableau:: 26957
The Birth of Venus La Naissancede Vénus 1484--1485
detail of venus Florence,Galleria degli uffizi.(mk57) 1484 -- 1485 détail de vénus Florence, Galleria degli uffizi. (mk57) Italian Early Renaissance Painter, 1445-1510
ID de tableau:: 26961
The Birth of Venus La Naissance de Vénus 1484--1485 detail of the winds zephyrus and Aura.Florence,Galleria degli Uffizi (mk57) 1484 -- 1485 détaildes vents zephyrus et l~Aura. Florence, Galleria degli Uffizi (mk57) Italian Early Renaissance Painter, 1445-1510
ID de tableau:: 33393
The Birth of Venus La Naissance de Vénus mk86
c.1485
Tempera on canvas
172.5x278.5cm
Florence,Galleria degli Uffizi
mk86 c. 1485 Détrempe sur le canevas 172.5x278.5cm Florence, Galleria degli Uffizi Italian Early Renaissance Painter, 1445-1510
ID de tableau:: 39014
The Birth of Venus La Naissance de Vénus mk142
1887
Oil on canvas
187.9x187.9cm
mk142 1887 Huilent sur le canevas 187.9x187.9cm British , 1857-1900
ID de tableau:: 40540
THe Birth of Venus LANaissance de Vénus mk156
1732
Oil on canvas
81x65cm
mk156 1732 Huilent sur le canevas 81x65cm French painter (b. 1690, Paris, d. 1734, Paris)
ID de tableau:: 40730
The Birth of Venus La Naissance de Vénus mk156
c.1863
Oil on canvas
130x225cm
mk156 c. 1863 Pétrole sur le canevas 130x225cm 1823-1889
French Alexandre Cabanel Locations
Bouguereau made more than seven hundred finished works.
ID de tableau:: 40770
The Birth of Venus La Naissance de Vénus mk156
1879
Oil on canvas
303x216cm
mk156 1879 Huilent sur le canevas 303x216cm Bouguereau made more than seven hundred finished works.
ID de tableau:: 42009
The birth of Venus La naissance de Vénus mk166
Between1484 and 1486 Board of wood
180x280cm Uffizi, Florence mk166 Between1484 et 1486 Conseilde bois 180x280cm Uffizi, Florence Italian Early Renaissance Painter, 1445-1510
ID de tableau:: 56805
The Birth of Venus mk250 about the year 1482. Cloth color eggs. About 172.7 x 276.9 cm. Uffizi in Florence. Italian Early Renaissance Painter, 1445-1510
(27 February 1824 - 17 July 1895) was a French painter born in Nantes.His oeuvre began with portraits and classical historical subject matter but he later moved on to allegorical and mythological themes.He was an academic painter and one of the founders of the Neo-Grec school, along with his close friends Gustave Boulanger, Jean-L??on G??rôme, and Jean-Louis Hamon, also academic painters. All of them studied in the workshops of both Paul Delaroche and later Charles Gleyre. Picou's style was noticeably influenced by Gleyre. While the rest of the group generally painted classical and mythological subjects, Picou also received commissions for large religious frescoes from many churches, including the Église Saint-Roch.
His artistic debut was at the Salon in 1847. The next year he was awarded a second-class medal for his painting, Cl??opâtre et Antoine sur le Cydnus. Also known as Cleopatra on the Cydnus, it is commonly regarded as Picou's masterpiece. This showing at the Salon in 1848 was written about by the critic Th??ophile Gautier, who felt that the subject matter was too ambitious, but also said that "As it is, it gives the best hope for the future of the young artist, and ranks among the seven or eight most important paintings of the Salon.In 1875 the painting was exhibited in New York, and afterward found lodgment on the walls of a private art gallery in San Francisco.Picou maintained a large workshop in Paris on the Boulevard de Magenta, which provided him room to work on his expansive frescoes. His popularity continued to rise and he went on to win the Second Prix de Rome in 1853 for his painting, J??sus chassant les vendeurs du Temple (The Moneylenders Chased from the Temple), and another second-class medal for his Salon painting in 1857. From his debut in 1847, he was a regular at the Salon, showing almost every year until his final exhibit in 1893.He has been called the most fashionable painter towards the close of the Second French Empire
ID de tableau:: 72728
The Birth of Venus 1874(1874)
Oil on canvas
cjr (27 February 1824 - 17 July 1895) was a French painter born in Nantes.His oeuvre began with portraits and classical historical subject matter but he later moved on to allegorical and mythological themes.He was an academic painter and one of the founders of the Neo-Grec school, along with his close friends Gustave Boulanger, Jean-L??on G??rôme, and Jean-Louis Hamon, also academic painters. All of them studied in the workshops of both Paul Delaroche and later Charles Gleyre. Picou's style was noticeably influenced by Gleyre. While the rest of the group generally painted classical and mythological subjects, Picou also received commissions for large religious frescoes from many churches, including the Église Saint-Roch.
His artistic debut was at the Salon in 1847. The next year he was awarded a second-class medal for his painting, Cl??opâtre et Antoine sur le Cydnus. Also known as Cleopatra on the Cydnus, it is commonly regarded as Picou's masterpiece. This showing at the Salon in 1848 was written about by the critic Th??ophile Gautier, who felt that the subject matter was too ambitious, but also said that "As it is, it gives the best hope for the future of the young artist, and ranks among the seven or eight most important paintings of the Salon.In 1875 the painting was exhibited in New York, and afterward found lodgment on the walls of a private art gallery in San Francisco.Picou maintained a large workshop in Paris on the Boulevard de Magenta, which provided him room to work on his expansive frescoes. His popularity continued to rise and he went on to win the Second Prix de Rome in 1853 for his painting, J??sus chassant les vendeurs du Temple (The Moneylenders Chased from the Temple), and another second-class medal for his Salon painting in 1857. From his debut in 1847, he was a regular at the Salon, showing almost every year until his final exhibit in 1893.He has been called the most fashionable painter towards the close of the Second French Empire
Henri-Pierre Picou (27 February 1824 - 17 July 1895) was a French painter born in Nantes.His oeuvre began with portraits and classical historical subject matter but he later moved on to allegorical and mythological themes.He was an academic painter and one of the founders of the Neo-Grec school, along with his close friends Gustave Boulanger, Jean-L??on G??rôme, and Jean-Louis Hamon, also academic painters. All of them studied in the workshops of both Paul Delaroche and later Charles Gleyre. Picou's style was noticeably influenced by Gleyre. While the rest of the group generally painted classical and mythological subjects, Picou also received commissions for large religious frescoes from many churches, including the Église Saint-Roch.
His artistic debut was at the Salon in 1847. The next year he was awarded a second-class medal for his painting, Cl??opâtre et Antoine sur le Cydnus. Also known as Cleopatra on the Cydnus, it is commonly regarded as Picou's masterpiece. This showing at the Salon in 1848 was written about by the critic Th??ophile Gautier, who felt that the subject matter was too ambitious, but also said that "As it is, it gives the best hope for the future of the young artist, and ranks among the seven or eight most important paintings of the Salon.In 1875 the painting was exhibited in New York, and afterward found lodgment on the walls of a private art gallery in San Francisco.Picou maintained a large workshop in Paris on the Boulevard de Magenta, which provided him room to work on his expansive frescoes. His popularity continued to rise and he went on to win the Second Prix de Rome in 1853 for his painting, J??sus chassant les vendeurs du Temple (The Moneylenders Chased from the Temple), and another second-class medal for his Salon painting in 1857. From his debut in 1847, he was a regular at the Salon, showing almost every year until his final exhibit in 1893.He has been called the most fashionable painter towards the close of the Second French Empire The Birth of Venus
